Becca Anne Marriott – Soprano
"Especial praise must be given to Becca Marriott as Tosca who looked every inch the diva and sung with passionate relish; her Vissi d’arte was memorable."
— Sameer Rahim, The Telegraph
Becca Anne Marriott is a lyric soprano and actress, performing operatic roles, oratorio, song and Early Music.
Becca has performed at The Tower of London, The Queen Elizabeth Hall, The Old Vic Tunnels, Tête à Tête Opera Festival, The Earl's Court Festival and The London Lute Society.
She has worked with The Wedding Collective, Carl Rosa Opera, The Philharmonia Britannica, Bill Bankes-Jones, Black Robin Opera, Morley College Opera, Burnham Music Group, Trinity Opera and lutenist and composer, Michael Fields.
In June 2012 Becca translated, directed and performed in a new production of Pergolesi's La Serva Padrona at City University, London. In July she sang Donna Anna (Don Giovanni) with Thames Philharmonia and in August of the same year took on the role of the Countess in Le Nozze di Figaro with Aria Alba as part of the Edinburgh Festival.
In Autumn of the same year she performed the role Tosca with OperaUpClose at The King's Head theatre in London and in November she was lucky enough to have the chance to perform at Harrogate Hall as a supporting artist to Lesley Garrett.
Becca rejoined OperaUpClose in 2013 as Amelia in their production of Un Ballo in Maschera and is looking forward to reprising the role of Tosca with them at the Soho Theatre this August/September.
Becca Marriott also created and directed Music Box the Improvised Musical – a highly successful London based comedy show: www.musicboximprov.com
Tosca, Tosca 2012
"The star among the youthful cast is Becca Marriott, giving an intense and tuneful voice to the title character, Floria Tosca...she is utterly convincing as the feisty, petulant diva." — Jonathan Lennie, TimeOut
"Becca Marriott's Tosca, a compelling vision in red lipstick and black market furs, has a suitably wanton allure and sounds fiery" — Neil Fisher, The Times
Amelia, Ballo 2013
"Becca Marriott combines and intriguing breadth and power" — Warwick Thompson, Metro
"Amelia (Becca Marriott) stands dressed in trademark yellow and blue, harshly lit by two street lamps and sings her heart wrenching aria with the opening line “Here I am in this bloody freezing car park.” It was mesmerising." — Alison Wisenfeld, West End Frame